I would be interested to know how Los Holy's (sic) fit into Peruvian culture of the time. Were they considered makers of no-good teen trash by the mainstream culture, but revered as cool cats by the kids? Or was this stuff so foreign to their society that they were playing a kind of 'world music,' without any of the controversy that this kind of primitive rock created north of the border?
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAY4YN-fxX2ByeGDFSuA25X4nqfxCnrRHyriLVh9gcwlRUmiXskp46n78iToOEwSwwIqWkqrVeWNGlFBOMCryV_XIVatFjt0Oez5RpQqe6SpTbbvvQDaO6cpMwVfj_koW9p0hDy24h4ts/s1600/Los+Holy%C2%B4s.jpg)
Los Holys "Sueno Sicodelico" (1967)
1. Campo De Vampiros
2. Sueno Sicodelico
3. Melodia Encantada
4. Reunion Psicodelica [a cover of the Markett's Space-Age surf classic "Out of Limits"]
5. Piedra De Doce Angulos
6. Hawaii Five-O
7. El Hombre Desnudo
8. Holy's Psicodelicos
9. The High Chaparral [cover of the '50s movie theme "Moulin Rouge"]
10. Psicodelico Desconocido [cover of the Meters' funky soul groover "Sissy Strut"]
11. Spectro I
12. Choque De Vientos
(Muchas gracias to El Count Otto Negro!)